I do apologise for the title. It is
misleading. I am not going to start waxing lyrical about fighting in built up
areas, I am afraid. It is another book review, or musing, this time the author
is someone called Urban. Hence the title.
The book in question is
Matchlocks to Flintlocks: Warfare in Europe and Beyond 1500 – 1700, by William
Urban (2011: London, Frontline). I want to like this book, I really do. And it has indeed grown on me, but I am a bit
ambiguous about it, and unclear as to what it is trying to achieve.
I think there are two themes to
the book. The first is to discuss mercenaries during the time period. This is
fine but, as Urban admits, defining exactly what a mercenary is, at any period
of history, is a bit tricky. Most soldiers, after all, fight for money and
without money most armies disintegrate. Money is necessary to war. This does
not make Roman legionaries or World War One conscripts into mercenaries.
Urban’s point seems to be that
the nature of the mercenary (or even just the soldier) changed during the period.
From being a sword who could choose to whom to hire it, by the end of the
seventeenth century the mercenary would normally be in the pay of a national
army, units of which might be rented out to other powers for political,
diplomatic or even religious reasons. So a good number of the Hapsburg forces
fighting the Turk after the 1680’s were Protestant Germans. Similarly, the
alliance against Louis XIV was a fairly stable one of Protestant German states
who hired their forces to the likes of Marlborough and Eugene. The point here
is that, I suppose, they would not have fought for the French, no matter how
much they were offered (although they might have opted for neutrality).
A related issue is to do with the
military entrepreneur. People with a fair bit of money and a military bend
could raise forces, organise them, and lead entire armies into battle on behalf
of an employer. The peak of this seems to have been in the Thirty Years War,
with generals like Mansfield, Tilley and, at the pinnacle, Wallenstein. The
problem, of course, was that such generals did have a tendency to take policy,
not just strategy, into their own hands. In such circumstance the only way of proceeding
for the state was sacking the general, or assassination. No wonder, really,
that rulers preferred to keep the generals on a shorter, more dependent leash.
The second point that Urban seems
to be trying to make is that the European advantage, which was clearly emerging
by 1700, was not strictly a technological advantage in warfare. While the
technology had changed and improved (from matchlocks to flintlocks, as the
title affirms), the major improvement in European warfare was in organisation.
Logistically, European armies were properly supplied by the end of the period,
and in this they managed to be the equals of the Ottomans. Given a better unity
of purpose, and that the western powers were not too distracted by the French,
the Turkish conquests of the Balkans were slowly rolled back.
In a similar vein, the Turks did
have reasonable weapons, but, eventually, the Western armies worked out ways of
using them better. The advantage was not in the technology per se, but in
slightly better ways of using it, such as volley fire by disciplined ranks.
Eastern European warfare, as practiced by Polish, Russian and Ottoman nobles,
was more about chaps on horses performing feats of daring-do. Mucking about on
foot with a musket was for plebs. It is notable that Russia managed to recruit
suitable infantry, while Poland and the Turks did not, or at least, not
consistently enough to obtain victory on the battlefield.
What then is not to like about
the book?
Firstly, there are some non-sequiturs.
Early on in the book Urban comments that the Pope of the day could flash the
cash. The next sentence starts ‘But the pope was not the only one with serious
financial problems…’ I might be
paraphrasing slightly, as I cannot find the offending passage, but it gave me
pause for wondering whether a decent editor might not have helped. There are
other instances of similar sorts of back-flips, which a decent sort of close
reading might have removed.
Another issue are the
descriptions of battles. Urban spends much more time on the sack of Rome than
he does on Pavia. Which was the more important? I suppose it depends on what
context you are looking at the events from, but from a military point of view,
I would imagine Pavia is a bit higher on your agenda. Of course, in terms of
politics or religion that might not be the case. On the other hand, it does
seem a little unlikely that Charles V’s army was rabidly Protestant in the
mid-1520’s, to the extent of wanting to sack Rome on religious grounds. Of
course, in keeping with most history books, there are no maps and just a few
plates of no particular interest or unusual-ness.
Overall, it is an interesting
book. If I treat it as a pointer to the debates about the gunpowder and the
military revolution I think it is a useful guide. Urban, at least, does offer
pointers to the major works in the field, such as Geoffrey Parker’s ‘The
Military Revolution’ and some other works, the more recent of which I confess I
have not read. In this light, as semi-popular or popular history, Urban’s book
is a good contribution and hopefully will get amateur historians and wargamers
alike engaging with some of the important literature on the subject of early
modern warfare and state formation. On the other hand, I am not sure that it
offers enough to wargamers, in particular, to wean them off writers such as
Oman, who, while their historiography is out of date, at least tell us how many
musketeers were present at Pavia.
Must history books, regardless of subject, always have an aim in mind? Is this an academic, or a popular history book?
ReplyDeleteBest Regards,
Heinz-Ulrich von Boffke
Ah, it sounds like the latter. Even so. Can't a history book simply tell a good story without attempting anything?
DeleteHeinz-Ulrich von B.
I don't think that books have to an aim, or a single aim in mind. However, I think that some degree of interpretation is inevitable. The difference is whether you are writing the narrative of events (with implicit interpretation) or writing about the interpretation (i.e. doing historiography) with the events as background and evidence. I think Urban tries to do a bit of both, and I'm as little unclear as to whether he succeeds.
Delete