Anyway, as mentioned, the Art of War is set in a dialogue
form, with a number of humanist friends having invited the well-known mercenary
commander, Fabrizio Colunna to a dinner, and then they sit and talk about
military and political things, as one does under such circumstances.
The first point made is that political and military items
are not independent. This is then followed up in the first book with a
discussion of the difference between mercenary and citizen troops. Colunna is
of the opinion (and we know that Machiavelli was also) that mercenary troops
are dangerous to the state, whether the state is a republic or a monarchy. The
example of Milan is cited, where the state was taken over by the Sforzas, who
were in command of the mercenary forces.
The idea here seems to be that mercenary soldiers have a bad
attitude to the state, as they are mercenaries and do not have a stake in it. The
argument then is that citizen soldiers will behave much better and not try to
take over the state because they are, in fact, citizen of it, and thus have a
greater stake in it.
These citizen soldiers are to be raised by a levy, a yearly
draft, and to practice every once in a while. It is also suggested that to
ensure the safety of the state, the captains of these levies should be moved
around frequently, so they do not build up a following in the militia and
attempt to undermine the state or take it over. The level of paranoia here
might seem to be excessive, but I suppose that, from the point of view of
Florence in the beginning of the sixteenth century it could be accounted for.
As we might expect from Machiavelli and the humanist point
of view, Rome is held up as being the shining exemplar of the republic with successful
armies and a free citizenry. The Romans had a citizen army and used it to the
full. Each year an army was raised and sent out, and the burden, it is claimed,
was not too great as it was done by rotation. And anyway, to serve in the army
was to seek glory.
A lot is made of this point, that army service was not to
gain power, or to acquire loot or money, but to serve, to fight, was to obtain
glory. Glory, in the Art of War, does not seem to be linked to power, although
in fact I suspect that there was a much greater linkage than Machiavelli would
like us to think. After all, craven cowards or unsuccessful generals seldom
came to political power in Rome, or in Sparta, for that matter.
Machiavelli claims that this Roman system broke down in the
Empire, where captains served long term with their troops and those troops,
themselves, became identified with the state as mercenaries, rather than
citizens 9altohugh, of course, they became citizens at the end of their
service, if auxilia). However, even legionaries (who were supposed to be
citizens, after all) came to believe in the power of the military to make
emperors, and did so quite frequently.
I suspect Machiavelli, here, of protesting too loudly, at
least from the humanist point of view. My understanding of Late Republican Rome
was that the armies were dedicated to their leaders, and the leaders took at
least some of their initiative because they needed to keep their troops happy.
Thus Caesar and Pompey both carried out large scale campaigning and annexation
in the Middle East and Gaul simply because they had the armies and needed to do
something with them to obtain glory, money and power within the Roman elite. From this point of view, then, the claims for
the Middle Republic armies and leaders had already broken down before the Civil
Wars of the mid-first century BC.
Be that as it may, Machiavelli then goes on to observe that
the problem with mercenary troops is that the forces they supply are both too
small and too big. They are too small in the sense that a standing army of,
say, six thousand mercenaries is insufficient to fight a battle for real. If a
war breaks out you still have to go out and hire lots more.
On the other hand, a mercenary band of six thousand is too
big, because you cannot pay it; it is simply too expensive. Furthermore, the
other problem, alluded to earlier, is that six thousand heavily armed men, with
their captains, are going to start to produce a political problem, and threaten
the state. The solution, Machiavelli claims, is to keep only few mercenaries in
the strongpoints of the state, and make sure you have a trained citizen
militia. The latter, at least, he argues, in a surprisingly modern move, will
at least keep the youth occupied and out of trouble.
As a wargamer I think I can see that there is a great deal of
potential here for some interesting campaign games. Despite Machiavelli’s
claims, the militia will be ill-trained compared to mercenary troops, but, on
the other hand, there will be a lot more of them and they might (but only
might) be better motivated. A bunch of player characters representing the
various states, mercenary bands factions within the states could create an
interesting and complex situation to run as, say, a club campaign. With enough factions
it could even be located within a single state.
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