A Diabolical Plot

It has been said, although the veracity of it is disputed, that there are seven basic plots in fiction. It seems, to a non-literary critic who only occasionally reads novels, that there might be some truth in the claim, although not all plots will fit neatly into one of the seven categories. For reasons which might become clear eventually, if I ever get around to it, I have been considering the plots of wargames, and, more specifically, plots of wargame campaigns.

As my attentive reader might be able to deduce, this has arisen through my recent pondering that a wargame is a narrative, a story we like to tell because we are humans and humans like to tell stories. This impression of mine was reinforced by a comment in Henry Hyde’s Wargaming Campaigns, to the effect that campaigns are bigger narratives within which each battle is embedded. I am not going to argue with that.

Given that a wargame campaign is a larger narrative (I am not going to say ‘meta-narrative’ here because of its postmodernist connotations) it must, if logic serves me, have some sort of plot. Turning that around, it occurred to me that the seven basic plots in fiction may well enable the wargamer to think of a variety of plots or themes for wargame campaigns. My idea is that to keep interested in the campaign (which is a difficult thing sometimes) an overarching plot might well help.

There might be some logic in this sudden onrush of literary-ness on the blog. After all, something must propel readers, often easily bored teenagers, through Nicholas Nickleby or Far From the Madding Crowd, although one of my schoolfriends described the latter as ‘Far From the Maddening Crowd’ and when corrected, replied ‘I know what I mean’. So an overarching narrative might help us as wargamers drive our campaigns onwards.

The first plot is ‘overcoming the monster’, where the aim is for the hero to defeat their antagonist, who may well be evil. The hero might well be small and relatively powerless while their foe is wealthy, or powerful, or influential. Rendering that into wargame terms is fairly straightforward: we could have a minor principality menaced by a larger neighbour, for example. The neighbour attacks, there is a heroic defence, perhaps defeat and rebellion or other powers, small or large join in.

The second plot is ‘rags to riches’, where the protagonist goes from being poor and ill-treated to obtaining power, wealth, a mate, and so on. Think Cinderella. This is the plot for an awful lot of role-playing game campaigns (as opposed to scenarios). Perhaps, at risk of engaging in modern UK politics, a campaign whereby the Scots rebel against English rule would be the nearest wargame here. Or perhaps I have been reading too much about the Bishop’s Wars.

Next up is ‘the quest’. This is a fairly obvious one, used in many films where the characters, good and evil, are after some object or attempt to get to some objective. The Maltese Falcon is an example. Again, this is a fairly obvious role-playing game device for both campaigns and scenarios (who has never attempted to rescue the Duke’s loot or daughter, for example?). Historically the campaigns of Alexander III of Macedon would qualify I should think, although quite what he was looking for is anyone’s guess.

Fourthly, we have the ‘voyage and return’, where the hero goes to a strange land and comes back changed in some way. The possibilities here are manifold, I think. Colonial wargaming would yield a fair bit of this, as would fantasy and science-fiction. Even campaigns where the strange lands are not so strange and the armies are bigger than skirmish size would still fit the bill; the American Revolutionary Wars probably changed the British Army, after all.

Then there is comedy. I am trying to get my head around a wargame as a comedy without much success, although role-playing games can fit the bill. There is in comedy a plot based around increasing confusion and errors which are finally resolved happily. There might be comedy in wargames, but I am finding it hard to conceive of it as part of the game. Perhaps you can help me out here.

Penultimately there is tragedy. The hero is flawed or has made a mistake, and pays for it, perhaps with his honour, or his life, or that of his loved ones, or possibly all of them – think Macbeth, who probably had most of those things happen. I can certainly think of a campaign along those lines where a nation has made an error and has to back it up with force. The Romans did a lot of it in their provinces, extracting taxes corruptly and then having to deal with the rebellion.

Finally, there is ‘rebirth’. Here events turn the hero into a better person, such as in A Christmas Carol. That would certainly be possible in a role-playing game, I think, but how about an overall wargame campaign? Well, we could consider the political implications of, say, the First World War where women got the vote in the UK as a result of their war service. Is that stretching the point a bit far? Or maybe we could consider the encounter of the Roman Empire with Eastern cavalry which led to the cataphract? That might be considered to be a bit more to do with wargaming.

The point here is not to show that all wargames fit neatly into seven categories. They do not, and I am aware of it. But before launching a major (or even a minor one) wargame campaign it might just be worth thinking about it for a bit and using the basic plot schema for trying to decide what, at least initially, is going to be the narrative driver for the action. Mostly, I should think, this will be fairly simple and straightforward, but the bigger the campaign, or the more detailed, then, I suspect, the bigger narrative drive it will need to sustain interest.

Probability and Personality

A week or two ago I reviewed Henry Hyde’s Wargaming Campaigns. It has also been reviewed on JWH’s Heretical Gaming site. There the issue is raised about how personalities are created for your campaign. Now, I do not want to turn this blog post into an exposition of mathematics and probability. I am sure we all recall those lessons from school with a shudder, but I do think there is a bit of a point here, and I do, of course, have my own suggestions.

Along with most other authors, HH has a method of creating personalities for your wargames and campaigns. In this case, 1d100 is rolled for each personality trait of an individual. As JWH observes, this can lead to some rather extreme people populating your armies and countries. One of HH’s examples (p. 271) has Corporal Sheffield having an intelligence of 12 and a health score of 99, along with a charisma of 5. While this might be an amusing element of a campaign, it does indicate that perhaps the creation system is slightly out of kilter, unless you revel in such.

In a similar way, C. S. Grant’s Wargame Campaigns uses a 1d6 roll over a set of characteristics to create personalities. Again, this seems like a method for generating extremes, such as a rash invalid, or a self-centered incompetent. Again, a few of these might enliven a campaign, but quite how a self-centered incompetent is played slightly baffles me. Are they incompetently self-centered and therefore behave in an altruistic manner?

Perhaps the earliest personality creation system, certainly the earliest I have seen and used, is in Tony Bath’s Setting Up a Wargames Campaign, which is perhaps getting on a bit now but is still a worthy read, bubbling over with ideas. Bath uses a playing card system to create characteristics. Having tried this a long time ago I can say it does work but the characters can feel a bit ‘same-y’ and the meaning of the characteristics is a bit vague and how they are incorporated into the campaign is a bit lacking in clarity.

I do not want to tell people how to run their campaigns and personalities, of course, but I do think that single dice rolls are probably not the way forward. I think the idea comes from Dungeons and Dragons, but there are other ways of character creation. JWH suggests a 2d6 roll to obtain some averaging, and that is a distinct improvement, but I would go a bit further.

In the recesses of my mind, I recall my old role-playing game days where the Runequest system used 3d6 rolls for the base attributes of each characteristic. This does have advantages. The average roll on 3d6 is 10.5 (the range is 3 to 18) and the distribution is peaked around this value reasonably strongly. Therefore you get a strong average for a human characteristic – most characters you generate are going to be average in some quarters. They might also have some serious flaws or outstanding features, but these are going to be rather nuanced by the other, more average rolls.

Of course, in Runequest and other games, there are also non-human characters who get different dice rolls, or at least a different number of dice to be rolled. I shall ignore them here except to note for your fantasy or science-fiction game you might like to consider them.

The second advantage of the Runequest system is that the basic characteristics allow you to derive other skills from them. So, for example, your chance of spotting something hidden is given by your intelligence, while your initial ability to pick locks is determined by your intelligence and dexterity, and so on. You can also improve specific skills by use.

As I have been banging on a bit about Flashing Blades a bit here recently I can say that it has a similar system, and some useful skill sets that can be derived from the characteristics of many personalities in wargames. The soldier's career path has basic skills, such as shooting and swordplay, but also things like generalship and strategy. These would be handy for a budding general, and the initial scores can also be improved by training and practice.

The other useful trait of the 3d6 system is that by multiplying the number by five you have an immediate percentage chance of success. Thus, if your character is of average intelligence, say 11, they have a 55% chance of doing the intelligent thing, whatever that might be. If they have an initiative of 12 they have a 60% chance of doing something given a stimulus, and so on. While it does entail a little mental arithmetic, it is a useful basis, I find, for using the personalities I create.

Alternatively, you can use a 1d20 roll. I find that a bit less useful as the results are less fine-grained. You might want to know, for example, by how much your character has failed the intelligence test, or how badly their charisma lets them down in inspiring their men. A 1d100 roll gives you a more finely-grained answer than 1d20.

In both cases, however, there can always be a chance of success (a 1 or 01-05% in my system) and a chance of failure (20 or 96-00). I have also carried over the critical hit and fumble outcomes from role-playing days. The 1/20 of your probability of success at the lowest end counts as a critical roll, so you not only succeed but succeed as well as you can think, so if your roll is 50% you get a critical on a roll of 3% or less (being generous). The top 1/20 of your roll is a fumble (97% or more in the example) which results in the most egregiously silly or stupid thing being the outcome. In the Jersey Boys campaign just started, the Parliamentary land forces commander picked his units for the first wave, fumbled his intelligence test, and chose the forces with the most cowardly leaders. It may not matter, but it causes some amusement, and that is surely why we have personalities in campaign games.

Dealing in Death

It is a truism that wargamers tend to be uninterested in logistics. We are, on the whole, interested in the drama and excitement of the battle, not the long slog to bring weapons and munitions to the units that do the fighting. You can see why: an interest in wargame campaign logistics threatens to turn the hobby, usually tied up in the glamour and heroism of the sharp end, into an accountant’s nightmare.

That is not to say that there are not some honourable mentions along the way. A variety of scenarios, for example, have a supply train at their heart. The sides attack or defend some valuable cargo, be it gunpowder, attractive princesses or large sums of money. Siege wargames (another neglected area of wargaming and warfare over the centuries) also make reference, of necessity, to the problems of supply (which, after all, affected both sides). But, on the whole, wargames are fought without great attention being paid to how the sides came to obtain the wherewithal to enter combat in the first place.

I count myself as guilty as charged here. My wargames devolve all such considerations to an imaginary commissary officer, who makes sure that all units are fed, watered, and issued with copious stocks of ammunition, clothing and fodder for their horses. Real-life is not like that, of course. All of the items an army needs for fighting, moving, and simply existing, have to come from somewhere, and that somewhere is usually not particularly close to the area of operations, at least as far as munitions go. Food is probably a different issue, at least some of the time.

Anyway, as you can probably discern, I have been reading again, this time a book I think I must have read before but have no memory of:

Edwards, P. Dealing in Death: The Arms Trade and the British Civil Wars, 1638-1653. Stroud: Sutton, 2000.

This turned out to be a fascinating read ranging from the Bishop’s Wars through to the expeditions to Ireland and Scotland that finished the civil wars, at least in the sense of fighting.

It turns out that the supply of munitions and weapons is a tricky thing. For the Bishop’s Wars Charles I could call on the Ordinance Office at the Tower, but that was small, underfunded and the king’s timescales were unrealistic. Thus the English armies were ill-equipped. The Scots did better, relying on massive imports from Sweden and Denmark, most of which were not intercepted by the royal navy.

The next challenge was the Irish rebellion. The rebels failed to capture the arsenal at Dublin Castle, but the defending royalist forces quickly ran out of weapons and munitions. They were starting to be supplied by Parliament (there was very little sympathy for the rebels on either side of the political divide in England or Scotland), but when the fighting was threatened and broke out in England supply dried up almost totally. The 1643 Cessation between the royalist and Irish Confederates was a relief to both sides, as the Irish were almost entirely dependent on imports. The English royalists then started to request munitions from Ireland.

There was, of course, a domestic arms industry. This was mainly centred on London and the south-east and so was under the control of Parliament. They also had the main horse market at Smithfield, which helped considerably. On the other hand, the principal officers of the Ordinance Office fled to the king and used their expertise to start manufacturing at Oxford. When Bristol fell to the royalists in 1643 manufacturing was set up there as well.

Things evolved over the war. Initially, the main royal centres of importing goods were in the northeast – Newcastle and Sunderland. Queen Henrietta Maria landed herself and her munitions at Bridlington, under gunfire from a Parliamentary squadron. The capture of the south-west and subsequent fall of the north led to the south-western ports such as Dartmouth becoming important. The stubborn resistance of Plymouth and Lyme increased the inconvenience, of course, but so long as they were blockaded the royalists could import good fairly straightforwardly.

The domestic industry increased to meet the demand. By the late 1640s, Edwards reckons that England was self-sufficient in most things needed to make war, except saltpetre and sulphur. Certainly, Cromwell’s expeditions to Ireland and Scotland had none of the logistical problems which had bedevilled the first civil war.

There were still, of course, transport difficulties. The roads were not great and while waterborne traffic could move goods in bulk, rivers were not always convenient, and a well-placed enemy garrison, such as Gloucester or Reading could limit use even more. Large numbers of draft horses were also required to move an army, and these were not always forthcoming. In Ireland the problem was acute. For those of you interested in the Irish armies of the time, the draught problem was solved by using oxen. I knew I had got those ox carts and limbers for a reason.

The real wargame interest here for those of us who are not accountants is surely in the import trade. All sides imported arms and munitions. All sides employed privateers to disrupt enemy shipping. And all sides attempted to blockade enemy ports. The logistical reason for the downfall of the English royalist cause was the loss of the southwestern ports, and also the shrinking of the areas of control which diminished the supply and manufacturing base. You might have expected Charles’ royal relations (his uncle was King of Denmark, his father-in-law King of France) to help, but both were at best lukewarm.

The possibility for small-scale wargaming and campaigns is almost endless. Collecting possibly contraband cargos from unfriendly or neutral ports, evading privateers and patrolling warships, delivering the cargo and then embarking on the return ship with a new load of exports might not sound that exciting, but I think a decent skirmish or role-playing game or campaign could be made out of it.

As an alternative, another approach could be to play out the naval part I have just suggested and determine the supply of the armies on the table by who has or captures the supply ships. The possibilities are endless.  

Jersey Boys Part 1

Putting my money where my mouth is, I shall describe the setup for my latest campaign, tentatively titled ‘The Jersey Boys’. I have tried this before, with the attempted invasion of Royalist-held Jersey by the New Model Army in 1651. As the Parliamentarians failed to get ashore, the campaign was a bit short.

Anyway, hoping that will not happen again, I am doing a bit more setup. My normal campaign is of a narrative format, where you start with an idea, a map, and some opposing forces. The original St Ouen’s Bay game was of that format and it was a bit of a failure as a campaign because the Royalists could concentrate against the invasion, and the Jersey militia did not run away, as they had done historically. Under the inspiration of Henry Hyde’s Wargaming Campaigns, I decided another go was on the cards.

I am currently deep into planning and dice rolling. The first objective was to obtain a map. This was easy enough using Google Images; I wanted one that looked a bit old. I then found the technicality in downloading images: you need to copy them rather than download them to get get the full size.

Map safely saved, I wanted to make a start using hexes. I have drawn maps using them before (a Samurai invasion of Korea game many years ago) but this time I wanted to impose a hex grid on an existing map image. Step forward Hexographer, which permits (even in its free incarnation) an image to be loaded and then hexes to be superimposed, blank hexes at that. Having fiddled with the size and number of hexes a bit, I got a map I was reasonably happy with and borrowed my wife’s printed to print it in A3 format.

The next problem to be tackled was that I could only just read the placenames on the map. The roads too were a bit obscure and I was not sure that all of them were shown. A bit of pondering revealed the need for a modern map of the island which was duly procured and installed under the campaign map on my corkboard. Important place names were inked in on the latter.

Next, I trawled the internet and my book collection of information about the campaign. As hinted above there was not much to it in real life, except the siege of Elizabeth Castle, which was pretty well impregnable. However, each parish in Jersey (there are twelve) had a company of militia, and Sir George Carew had 150 horse, 150 dragoons, and 120 fusiliers. Elizabeth Castle had a garrison of 450 men, Mount Orgueil had 60 when it surrendered and St Aubin’s Tower had ‘a few’. These were easily enough placed on the map, with green pins for the militia, yellow for mounted troops, red for garrisons, and purple for the fusiliers.

The next question was about the commanders. I drew up characters for Sir George Carteret and his brother (and deputy) Sir Philip. Then I had to ponder the other characteristics of the defenders. For example, the St Lawrence militia initially refused to muster against the invasion arguing that their role was to defend their parish. Hence, they were late to St Ouen’s. After a bit of thought I named and created characters for the militia company commanders. It might be wasted work, but six dice rolls of 3D6 per commander is not much effort really.

As an aside, I do wonder why Hyde and others use a d100 roll for character creation (or a d6, or whatever). It can create some fairly extreme characteristics. I think the d100 sort of creation is a holdover from D & D, but as I have never played it, I cannot comment further. The games I have played use 3D6 for characteristics, which seems a little more realistic. After all, most people are of average intelligence, that being what average means. You get fewer extremes, at least, or maybe, you could argue, it is just a bit more boring. Perhaps people in public life are more extreme personalities. Anyway, I have gone with the characteristics (Intelligence, Initiative, Charisma etc) Hyde suggests, but rolled on 3D6.

On the Parliamentary side, the commander was Admiral Robert Blake, and the land forces were commanded by Colonel James Hearne. Having already traduced Blake’s reputation I decided to change the names, especially as neither commander rolled well for intelligence in my character creation. That meant, of course, that the Carteret brothers had to have their names changed as well, so they became the Carters. Blake became Block and Hearne became Harme. The record sheets were amended – thank goodness for word processors.

The invaders had Hearne’s regiment of foot, presumably at fairly full strength, of 12 companies, and another six companies from Sir Hardress Waller’s, thus making around 1800 in total. There were two troops of horse (75 each) and ultimately two companies of Guernsey militia reinforced the landers.

I then had to work out the naval forces. Blake had around 80 sail, but many of the ships were small, it would seem. I do not have that many, and I also wanted the Royalists to have some naval units. I have a mix of larger and smaller merchantmen, so I decided that a large one would carry two companies, while the smaller would take one, and a troop of horse would also fit only a smaller vessel. Block, the admiral, was also given six warships, a fourth rate, two fifth rates, and three sixth rates.

I have also spent time creating captains for the ships and allocating the infantry to their vessels. Now I have to create characters for the naval and land force commanders and then return to the Royalist navy. Royalist forces were not evident during the campaign but Jersey was a privateer base and so they would have had some, perhaps smaller, vessels. A more determined defence could have seen either defending forces moved around the coast or naval intervention in the landings. We shall see.

Wargaming Campaigns

Henry Hyde writes very big books. No sooner have I caught up with the Wargaming Compendium (Barnsley: Pen and Sword, 2011) than another whopper lands on my front doorstep. This one is Wargaming Campaigns (Barnsley: Pen and Sword, 2022). The compendium ran to 520 pages or so, all told. Campaigns run to 526. Wow.

Now, I really want to like the book, let me be clear. I am, as the blog posts might well affirm, a fan of wargame campaigns although I, like many others, struggle with the detail that some wargamers manage to get into their activities. Here, it seems to me, is the rub of wargame campaigning: we have a tendency to get bogged down. It is a problem that HH is well aware of, fortunately.

Firstly, a few other observations. If you are expecting as much eye candy as there was in the Compendium you are going to be a bit disappointed. There are some nice photographs of nice troops, granted, but nowhere near as many as in the first book. Of course, the book is about something else, so we should not be surprised. Second, the production values are pretty high. The work was written, HH admits, over a fair few years and some of the cross-references seem a bit mistaken as if something had been written previously but not made it to the final draft. Or maybe it is just such a big book that I could not recall or find them.

As it is, it is a pretty comprehensive account of running a wargame campaign. I do not think that any book could be fully comprehensive. Wargamers are, at the end of the day, a very inventive lot. The book includes HH’s own campaign rules (March to Glory) and considers campaigns of all descriptions including skirmish and role-playing games, sea and air power, brief accounts of some famous wargame campaigns of the past, and a great deal of ‘you don’t have to do it like this’ comments. You can, after all, campaign perfectly happily without a map.

I suppose that if I have to be critical, I felt that the editing was probably not as thorough as I would have liked. I am not sure, for example, that I really needed to know the perceived personalities of the players in HH’s own imagi-nation world and their campaign world alter egos. Some of the writing seemed to this reader, anyway, to be a little self-indulgent. If the aim of the chapter was to show a campaign in progress, well and good, but I got confused as to which player was which character and where they were on the map (bigger maps are on the companion website, I believe, but that is not much good to me in my armchair).

I found similar oddities in the rules chapter, which roll along quite nicely until towards the end when we get a page or two’s justification as to why disease or desertion rules need to be included. If they are rules, stick to the rules. If you need to justify or explain, then do that somewhere else. I tend to try to separate rules from justification.

A few times HH refers to historical accuracy. Granted, disease and desertion are historical. We might wish to include them in our rules, as we might want to add fleeing refugees clogging the roads, scorched earth policies leading to mass starvation, and so on. These things might be important in a staff officer game but, for my taste, I would rather ignore them. I think that it is exactly a matter of taste, however. If it floats your boat then don’t mind me and my opinions.

Another gripe that a stricter editor might have handled differently is the chapter on maps. HH spends quite a lot of time explaining how to use Adobe Photoshop to create and modify maps. Now, perhaps I am too much of a computer geek for my own good, but I think it was largely unnecessary and more of an indication of the author’s interests than something of general use. After all, Adobe products are rather pricey for creating a wargame map. HH has the product because of his profession, I think.

There are, of course, lots of very positive things in the book, as well as oodles of enthusiasm, which is the most vital component. The mapping software products, mentioned at the end of the maps chapter, such as Hexographer, are most useful, at least at the moment (the problem with the web is that it is fluid). Most of the suggestions in the book are eminently sensible, and the encouragement to start small is vital, in my view.

HH’s observation that wargaming is storytelling got a cheer in this quarter, as well. I am not so keen on his tale (twice told, I fear) of tweaking the chronology in his campaign to get wargames at the same time for his players. That sort of thing is not everyone’s cup of tea (what price historical accuracy now?) and not necessary for a solo wargamer, of course, but it does show the sorts of dilemmas an umpire might face. Still, wargame campaigns are bigger narratives where the wargames themselves are now smaller components of the whole. That does make the campaign more satisfying overall if you can come to some sort of conclusion.

As I said earlier, I really wanted to like this book, and I do. Already a map of Jersey complete with hexagons is pinned to my corkboard in anticipation of a return to St Ouen’s Beach in the near future. That has been hanging around on the back burner for a while and would probably have stayed there if I had not read the book. A bit of a shove in the right direction (I would never have found the mapping software otherwise) and a bit of enthusing worked wonders for my get-up and have-at-it quotient.

Overall, it is a great book, but not flawless. I recommend it to every wargamer. You might not want to use all the ideas, you might only pick up a few bits and pieces to add to your already flourishing worlds, or you might be inspired to start campaigning. But it is definitely a worthwhile read.

Chateau Crepé

‘I say, Jaques old chap, what is that place over there.’

‘Monsieur, there is no-one here called Jaques. My name is Guilliam.’

‘What does the English idiot want now?’

‘The name of the castle over there.’

‘C’est Chateau Crepé, monsieur.’

‘Creepy? That’s not a good name, Jaques.’

‘Non, monsieur, Crepé.’

‘Is it nearly lunchtime?’

‘What did he say, Guilliam?’

‘He’s hungry again.’

‘We’ve only just had breakfast.’

‘The castle looks interesting, you know. Could we stop there for lunch?’

‘Monsieur Ambassador, the chateau is held by the enemy. They wish to prevent the treaty arriving in England and preferably dismember you.’

‘Oh. So not time to have a look around, then?’

‘The garrison is turning out, Guilliam. They’re going to block the ford.’

‘Humbug.’

‘Humbug? Is that the best you can do?’

‘I didn’t want to say merde for fear of our guest asking what it means.’

‘Fair enough. How did he get to be ambassador anyway? He doesn’t seem very bright, and doesn’t speak French.’

‘Perfect ambassadorial material then, I guess.’

*

If you are at all interested, you might recall the Corbie campaign, which started off with a battle and a siege between the French and Spanish Netherlands armies in the late 1630s. Things proceeded and the English government and the French negotiated a treaty whereby both would attack the Spanish. This would blunt the Spanish invasion, from the French point of view, and get Charles I’s anti-Hispanic lobby off his back, thereby preventing the English Civil War. The first skirmish saw the Spanish block the English from seizing the road, and the latter retired towards Calais, where they hope to hire a ship to take the ambassador and treaty to England. The Spanish manned a castle (which I noted a few weeks ago I found in a box) to block the road along which Sir Thomas Bagge (‘Call me ‘T’’) and his escort (a motley crew of French adventurers, led by a Musketeer, naturally) must pass.

The light conditions were not good for the photographs, so I’ll have to describe the scene. At the top left is Chateau Crepé, on a steep hill. In front of it are a river and a ford where the road crosses it. The garrison is six figures, while the Ambassadorial escort is of the same strength. Sir T Bagge (did you see what I did there?) is unarmed.

The Spanish got five moves warning of the French arrival and just about made it to the ford. I would have preferred them to cross the river and defend from the other bank, but it was not to be. The garrison was dismounted, while the French remained on horseback.

The picture shows the clash at the ford. In the left foreground is Sir T, ambling towards the castle (he is an antiquarian) while his escort (or two-thirds of it anyway) is taking on the Spanish. At first, the Spanish spearmen held them off rather well, but as wounds started to be inflicted they were forced back.

The figures are an eclectic mix of old Wargames Foundry, Redoubt Enterprises, and Outpost Border Reivers (masquerading as Spaniards, this time). The castle is in front of Sir T, who is ambling over to take a look while his escort fights for his life.

The crunch came when one of the escorts rolled double six against his opponent, who rolled a measly four. As the Frenchman was mounted, he got a plus two, while his opponent had already been recoiled and thus did not get any support from his nearby oppo. The difference was sufficient to kill the Spaniard. Meanwhile, the central spearman had been severely wounded while the one at the end picked up a light wound, and then another.

The Spanish were forced back into and beyond the stream, while Sir T started to have a poke around the chateau. You can see the French reserve to the left of the action; they are actually covering the ambassador as the Spanish captain had spotted him wandering around unescorted and made a move towards him. However, the wounding of his men meant that his services were required elsewhere – he is the blue-sleeved swordsman standing in the stream.

With only a few figures on the table – thirteen in total including the ambassador, this was a quick skirmish game. I had thought of using Flashing Blades but even a dozen figures is a bit much for a single player to deal with, especially when they start to pick up wounds. The rules were my own home-brew very quick solo skirmish rules, which is a post way of saying ‘scrawl on one side of A4’. As I have, um, repurposed them from Mr. Berry’s ‘Once Upon a Time in the West Country’ rules, from which the matched 2D6 mechanism was obtained, I think they work quite nicely. I had to mash up the ranges of course to get it to fit on my table.

Still a nice quick wargame fix, and it moves the Corbie campaign on a bit further. I seem to have decided to stick with the big figures for this one, it just seems to fit somehow and, sooner or later, there might be some desperate deeds of daring-do to be done. But, for now, the road to Calais is open. Perhaps I need to break out the new ADW ships again for a chase across the Channel.

*

‘I say, chaps, this is jolly interesting. This chateau must be ages old. Look at that tapestry.’

‘Monsieur, it is a sixteenth-century copy of a fourteenth-century Italian altarpiece. The chateau was destroyed by English troops before the Battle of Agincourt.’

‘Oh. Well, let’s let bygones be bygones, eh, chaps. Where are the other four, anyway?’

‘They are assisting the Spanish wounded, Monsieur.’

‘The Spanish have left a rather fine luncheon here. I say we should tuck in. We can save some for the others. Look at this wine. Fabulous!’

‘What is the wine, Guilliam?’

‘Local plonk, probably from the Calais cash-and-carry Arnaud. It’s only there for the English booze-cruisers, you know that.’

The Personality of Crowds

A long time ago, so long ago that I cannot find the post now, I wrote something about crowds and units and how they develop a personality. This was brought back to what remains of my memory by Man Of Tin’s comment a week or two ago about finding it difficult to game anything above a platoon in size, or thereabouts. It is a reasonable point, I think, although I confess that, in my reply, I might have been a little too concise, shall we say, and a better (or at least, longer) answer might be worthwhile.

We can, to some degree, create personalities for our wargames. I am (along with the rest of the wargaming world, it seems) reading through Henry Hyde’s new tome Wargaming Campaigns. He has quite a lot to say on the matter of personalities, both in the sense of creating them for kings and generals for a large-scale campaign and also for doing so for skirmish and role-playing games.

HH takes Dungeons and Dragons as a paradigm for the latter and observes that it would work, or some of it, for larger campaign personalities. The alignments, for example, could be helpful, although you would not want too many chaotic evil characters around, I think, although current world events might make one suspect that there are more than a few lurking in plain sight.

I have never played D & D, I confess. In my role-playing game days, I started with Runequest, moved on to Call of Cthulhu, and finished up with Toon and Flashing Blades. The latter is still on my shelf, and a good game it is too, so long as you make the combat rules a bit simpler. The setting makes the game, particularly if everyone has read Victor Hugo or at least seen some of the films. Nevertheless, it contains quite an extensive process of creating your character, motivations, and skills. The back story is important here, too.

As an aside, my trajectory through role-playing games (which included a friend’s Traveller / Ringworld hybrid) shows a movement towards the silly (Toon was the only game I was actually good at as a player, so much so that I got banned from it) and the perhaps richer setting. Runequest, with its Manicheism division of the world into good and evil (chaos), was serious, and CofC was seriously serious, the burden of defending the apparent last outpost of sanity from nameless horrors beyond led to some fairly intense games.

The point about Flashing Blades is that one of the careers your character can choose is soldier, and here the choice of regiment matters. The different regiments in the French army have different attributes and do different things. The regiments are given different status values, ranging from nine for the Guards to two for the Italian regiment. There are also enmities between the regiments. As is well known the King’s Musketeers and the Cardinal’s Guards did not get on too well. As the rules note, even on campaign duels, if not open conflict, were frequent.

In reality, of course, such activities were not that frequent, but we can start to see how the personality of a unit can be built up. Recently I read an article in History Today about the Falkland War (forty years ago, as the discerning wargamer will know). One of the seamen noted the shock of hearing about HMS Coventry sinking: ‘We’re the Royal Navy. We don’t sink.’

Other units would have similar sorts of thoughts. ‘We are the King’s Musketeers. We defeat the King’s enemies and if that includes the Cardinal’s Guards, so much the worse for them!’ Here the unit is a personality as well. I recall reading an account of the Somme where a debate was held as to which regiments of the British army the officers would prefer to left and right. I do not recall the details, but I think the Guards and the Hampshires came out on top. There was something of the personality of those units – reliability, fighting power – which made other units prefer them.

A crowd can have a personality. Think over news reports. ‘A happy crowd.’ ‘The crowd is turning ugly.’ Crowds do not turn ugly, of course, but the mood can change, and the next step is throwing things. The theologian Walter Wink recalled his involvement in the civil rights movement. Driving to a demonstration he and his friend were pulled over by the police and were terrified. They got a speeding ticket. Later the same day, as part of a mass demonstration, Wink lay down on the road in front of the police without quaking in his boots, because he was with the crowd.

Again, consider those outmoded offices that some of us are being forced back into. The layout of such places constrains how they can be used. An aircraft hanger of a communal office leads to hushed voices and plenty of breaks away from the desk just to break up the monotony. Individual offices lead to many coffee breaks just so you can seek someone to talk to, and so on. The personality of the place of work is mediated by the structure of the building.

The history, traditions, and training of a military unit make for its personality. Perhaps they felt unsupported by another regiment at an obscure battle a century ago. They still treat said unit with suspicion and a wise general will not brigade them together. Perhaps the captains of these two ships fought a duel over the honour of a lady a year ago. The crews drink in different inns and if they meet, there is a punch-up.

The point is that personality can emerge at any level within human society. We use it a lot to characterise, often unfairly, other nations. At that level, it is to be used with care, although there is some truth contained within the jokes. But even within an army different units have different personalities. And, if we choose, as wargamers, we can reflect that.